America, Modernism, and the WPA Posters
The social, political, cultural, and economic upheaval of the early 20th century led to a series of creative revolutions in visual art and design that questioned conventional approaches. Artists and designers re-evaluated their role in society. Some of these movements had a direct influence on design, such as: cubism, futurism, Dada and surrealism, expressionism, suprematism, constructivism, De Stijl, and the Bauhaus. However, modernist European design did not become a significant influence in the United States until the 1930s.
Modern art emerged in America late, “but when it did arrive it came with great impetus and with reverberations that carried away many of the stagnant conventions and ideals that had restrained it.” —Herschel Chipp
Posters from the Works Progress Administration (WPA) Federal Art Project (FAP) reflect the struggle of American artists and designers to reconcile new interpretations of color, form, space, and meaning with traditional approaches.
About the Project
The technique of screenprinting used in the mass production of the WPA FAP posters was pivotal in widely disseminating the graphic language of Modernism to the American public and facilitated its acceptance by American artists and designers.
Over an eight year period, approximately two million posters were produced from 35,000 designs.
The posters prepared the public to accept abstract art and be receptive towards Abstract Expressionism during the 1950s. This series of screenprinted posters apply the design style of the WPA FAP Posters to contemporary messages to demonstrate the timelessness of the graphic language of Modernism as an effective means of communication. Like the majority of the original WPA Posters, these posters are 14 inches by 22 inches. They were printed in editions of twelve. The typography used in the series relates to the work of WPA artists: Anthony Velonis, Foster Humfreville, Alex Kallenberg, Erik Hans Krause, and Charles Verschuuren. Special thanks to Carolyn Hartmann, owner of OpenStudioDC and Adjunct Professor, Printmaking Department, Corcoran College of Art + Design, for use of her studio facilities to produce the posters and her expertise and advice on the screenprinting process. This installation at NEXT at the Corcoran 2013 is the thesis work of Maribel O. Gray. The exhibition will be on view from April 6–May 19, 2013 at the Corcoran Gallery of Art | College of Art + Design. Learn more about NEXT at the Corcoran 2013. If you have questions about the project, contact me at maribelogray.com
History
Design
Sources
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Information
- Arnason, H. H. and Elizabeth C. Mansfield. History of Modern Art (6th Edition). New York: Pearson, 2009.
- Carter, Ennis. Posters for the People Art of the WPA. Philadelphia: Quirk Books, 2008. Print.
- Chipp, Herschel B., editor. Theories of Modern Art. Los Angeles: University of California Press, 1984). Print.
- Cushing, Lincoln. “Meshed Histories: The Influence of Screen Printing on Social Movements.” aiga.org. American Institute of Graphic Arts, 26 May 2009. Web. Accessed 30 Aug 2012.
- Cushing, Lincoln and Timothy W. Drescher. Agitate! Educate! Organize!: American Labor Posters. Ithaca, NY: Cornell University Press, 2009. Print.
- DeNoon, Christopher. Posters of the WPA 1935 • 1943. Los Angeles: The Wheatley Press, 1987. Print.
- Grieve,Victoria. The Federal Art Project and the Creation of Middlebrow Culture. United States: University of Illinois Press, 2009. Print.
- "New Deal." History.com, 1996–2013. Web. Accessed 4 Jan 2013. http://www.history.com/topics/new-deal.
- Kronzek, Rochelle ,editor. 60 Great WPA Posters. Mineola, NY: Dover Publications Incorporated, 2010. Print.
- Meggs, Phillip Hoboken, and Alston W. Purvis, editors. Meggs’ History of Graphic Design. NJ: John Wiley & Sons, Inc, 2006. Print. Müller-Brockmann, Josef and Shizuko. History of the Poster. London: Phaidon Press Limited, 2004. Print.
- "The New Deal." PBS.org. American Experience, Surviving the Dust Bowl. Web. Accessed 4 Jan 2013, http://www.pbs.org/wgbh/americanexperience/features/general-article/dustbowl-new-deal.
- Pillen, Cory. “See America: WPA Posters and the Mapping of a New Deal Democracy.” The Journal of American Culture 31.1 (Mar 2008): 49–65. Proquest Research Library. Web. 30 Aug 2012.
- Velonis, Anthony. Technical Problems of the Artist: Technique of the Silk Screen Process. New York: New York City WPA Arts Project, Works Projects Administration Arts Program, 1938. Print.
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Image Sources
- Arnason, H. H. and Elizabeth C. Mansfield. History of Modern Art (6th Edition). New York: Pearson, 2009.
- Black Tuesday, http://ecx.images-amazon.com/images/I/51DNHRGWHFL._SL500_SS500_.jpg
- Carter, Ennis. Posters for the People Art of the WPA. Philadelphia: Quirk Books, 2008. Print.
- Cox, Kenyon. "Cubists and Futurists Make Insanity Pay." nytimes.com. New York Times, 16 March 1913. Web. Accesse 23 March 2013. http://query.nytimes.com/mem/archive-free/pdf?res=9A07E4D81139E633A25755C1A9659C946296D6CF.
- DeNoon, Christopher. Posters of the WPA 1935 • 1943. Los Angeles: The Wheatley Press, 1987. Print.
- "New Deal." History.com, 1996–2013. Web. Accessed 4 Jan 2013. http://www.history.com/topics/new-deal.
- Kronzek, Rochelle ,editor. 60 Great WPA Posters. Mineola, NY: Dover Publications Incorporated, 2010. Print.
- Library of Congress, Prints & Photographs Online Catalog (PPOC). Web. http://www.loc.gov/pictures/"
- Meggs, Phillip Hoboken, and Alston W. Purvis, editors. Meggs’ History of Graphic Design. NJ: John Wiley & Sons, Inc, 2006. Print. Müller-Brockmann, Josef and Shizuko. History of the Poster. London: Phaidon Press Limited, 2004. Print.
- "The New Deal." PBS.org. American Experience, Surviving the Dust Bowl. Web. Accessed 4 Jan 2013, http://www.pbs.org/wgbh/americanexperience/features/general-article/dustbowl-new-deal.
- Soup Line, http://www.doctorhousingbubble.com/wp-content/uploads/2011/06/great-depression-soup-line.jpeg